FS 35mm Arri Techniscope Package

[j***@gmail.com]

THIS IS THE MARVEL OF 35mm TECHNISCOPE CINEMATOGRAPHY: Now that Eastman
Kodak has developed a whole new line of 35mm super fine-grain emulsions,
numerous knowledgeable directors of photography are taking another look at
the savings inherent in 35mm two-perforation, half-frame Techniscope
cinematography.
Using the 35mm half-frame Techniscope system cuts film stock costs in half
while doubling the amount of exposed footage per film roll. With this type
of professional equipment, a producer can shoot productions and gain
considerable savings at both the production and post-production stages.
Furthermore, producers can choose to originate on a full array of 35mm
color-negative emulsions and then to edit electronically (or
conventionally) in full or half-frame mode. For film or video
distribution, output can be ordered in any aspect ration, including
1.33:1, 1.66:l, 1.85:1, 2.35:1 Cinemascope and HDTV. For more information
and sale price;
Call: [phone] or [phone]
Sincerely,
N. H. Cominos
P.S. Serious inquiries please.
____________________________________________
F O R S A L E
35mm ARRIFLEX II-C Techniscope Camera Package and Assorted Equipment
This entire camera package is in mint condition, having been used
only for some special-photographic effects
QUANTITY ITEM
1 Special 35mm Arriflex II-C Techniscope camera
manufactured
by Arnold & Richer K.G. of Munich. It is equipped with three-
lens turret, variable shutter, synchronous (governor-controlled)
12 volt D.C. motor and two power cable, orientable
view-finder
(with extra ground-glass etched in 2.35:l Cinemascope aspect
ratio), a leather-bellows matte box with filter slots,
plus a leather
shoulder strap used for hand-held shooting or carrying camera.
1 12V D.C. variable (0-50 fps) motor w/2 power cables
4 35mm Arriflex IIC film magazines (400 ft. film capacity)
1 35mm Arriflex IIC film magazine (200 ft. film capacity)
7 Prime lenses with Arriflex mountings and filter rings.
They are a matched set that ensures image acuity and color
control underevery lighting situation. This is highly
important when shooting two-perf. Techniscope negative destined for
blow-up to four-perf. dupe negatives.
18mm T/2.2 Taylor Hobson Cooke lens
25mm T/2.2 Taylor Hobson Cooke lens
32mm T/2.3 Taylor Hobson Cooke lens
50mm T/2.3 Taylor Hobson Cooke lens
100mm T/2.8 Taylor Hobson Cooke lens
2 These special Kilfitt lenses are primarily used in
controlled macro-cinematography
on locations and in studios.
40mm F/2.8 Kilfitt Macro-Kilar lens
90mm F/2.8 Kilfitt Macro-Kilar lens
2 Novoflex telephoto lenses with instant, pistol-grip
focusing...these lenses
have long been favored by cinematographers doing
documentaries and
nature films having fast moving subjects. Both lenses have Arri
and Nikon
interchangeable mounts.
400mm F/8.0 Novoflex telephoto lens
600mm F/11.0 Novoflex telephoto lens
1 135mm F/4.0 Zeiss Sonnar Lens
9 Assorted series of Wratten 85 dis filter for use with
above lenses
1 Angenieux 25mm/250mm zoom lens with Cinema Products zoom
motor,
joy stick, and mounting bracket, plus Angenieux 2X
extender that increases
this lens to 50mm/500mm focal lenghts.
1 Arriflex lens cradle for the 25/250mm zoom lens that
provides a stable,
balanced platform on the tripod and can be extended for
longer focal-length
lenses.
1 Heavy-duty Ronford fluid head and tripod with double-plex
metal lengs and
carrying boot.
1 Double-plex Baby legs for above Ronford fluid
head.
1 35mm Moviola picture/sound editing machine, modified to
edit half-frame
Techniscope footage, thereby saving costs on full-frame
workpring blow-ups
and other post-production steps.
1 35mm A.V.E. (Shinkyo) double-system projector for running
picture/sound dailies and workprints synchronously at various
stages in post-production work. Projector employs 1,000 W.
incandescent light source (60Hz., 120 V.) and comes with
a 2,000-foot reel capacity for both picture and sound (44
minutes of running time w/half-frame footage)

HI,
Is this camera packet still in sale?

Best regards
Jan Ijas

[Scott Dorsey]

Post by j***@gmail.com

THIS IS THE MARVEL OF 35mm TECHNISCOPE CINEMATOGRAPHY: Now that Eastman
Kodak has developed a whole new line of 35mm super fine-grain emulsions,
numerous knowledgeable directors of photography are taking another look at
the savings inherent in 35mm two-perforation, half-frame Techniscope
cinematography.

Is this camera packet still in sale?

It was likely sold more than 20 years ago, since you're replying to a
post from 1998.

That said, much as I have hated Techniscope, I have to say that it's not a
bad choice these days when all your post is being done digitally anyway.
There's no need to optically print it anymore, and of course since nobody
screens film dailies or edits film workprints, the need for weird projection
and editing gear is no longer the issue that it was.
--scott