Larry
2012-02-20 00:56:47 UTC
I have seen all the movies which carried the Cinerama logo (3 strip
and 70mm ) which were shown in the U.S. except Best of Cinerama - in
U.S. ,Canada, Mexico, Thailand, Philippines and Japan. Over 20
theaters in all. Most of these screens were 146 degrees and louvered.
The Indian Hills theater in Omaha as far as I know had the largest
screen about 125 by 35, louvered and 146 degrees. Some of the screens
I saw were significantly smaller but I don't recall any 3 strip that
were sheets. Of course several theaters which projected 70mm were
solid sheets. I agree that the original Cinerama experience was
breathtaking. I have never been to Bradford so I cannot evaluate
their presentation. The Dome and Seattle, while the best we have
currently available in the states, both do have problems as many
people are happy to point out. I have seen the true 3 strip, 70mm
conversions and digital reconstuctions at the Dome. Considering the
age, poor storage conditions and general disinterest in the films,
they are impressive. A few years ago I thought I would never see any
of the travelogs again, let alone in Cinerama. Dave Strohmaier and
others have done a terrific job in bringing these back to us in a
format which at least significantly approaches the original
experience. I for one am happy that any effort is being put forth to
save these films in any format.
and 70mm ) which were shown in the U.S. except Best of Cinerama - in
U.S. ,Canada, Mexico, Thailand, Philippines and Japan. Over 20
theaters in all. Most of these screens were 146 degrees and louvered.
The Indian Hills theater in Omaha as far as I know had the largest
screen about 125 by 35, louvered and 146 degrees. Some of the screens
I saw were significantly smaller but I don't recall any 3 strip that
were sheets. Of course several theaters which projected 70mm were
solid sheets. I agree that the original Cinerama experience was
breathtaking. I have never been to Bradford so I cannot evaluate
their presentation. The Dome and Seattle, while the best we have
currently available in the states, both do have problems as many
people are happy to point out. I have seen the true 3 strip, 70mm
conversions and digital reconstuctions at the Dome. Considering the
age, poor storage conditions and general disinterest in the films,
they are impressive. A few years ago I thought I would never see any
of the travelogs again, let alone in Cinerama. Dave Strohmaier and
others have done a terrific job in bringing these back to us in a
format which at least significantly approaches the original
experience. I for one am happy that any effort is being put forth to
save these films in any format.